Environmental Failure
Mixed media, oil on canvas with digital elements, 100 x 80 cm, 2024
This artwork stands as a protest and collage of elements, shedding light on the societal dysfunction surrounding environmental degradation. It portrays the disturbing trend of exploiting and polluting the environment for selfish motives, whether driven by greed or mere self-satisfaction. As industrial progress and mass consumption continue unabated, our beautiful natural landscapes increasingly fall victim to neglect and exploitation. The litter strewn across Mount Everest, once perfect beaches or the oceans, serves as a stark reminder of our society’s inclination towards instant gratification, disregarding the long-term consequences and leaving behind a legacy of pollution for future generations to inherit.
Decline of Western Civilization
Mixed media, oil on canvas with digital elements, 60 x 80 cm, 2024
This artwork portrays a tranquil statue of a woman draped in flowing robes, exuding an ethereal presence. However, this serenity is disrupted by layers of graffiti, representing society’s tendency towards vanity and instant gratification. Instead of honoring the treasures of the past, the graffiti serves as an act of vandalism driven by selfishness and disregard. Much like the degradation of our natural environment, this painting serves as a stark reminder of the erosion of our cultural heritage. It prompts us to confront the consequences of our actions and advocate for a future where respect and preservation prevail over destruction and neglect.
“In ‘I Am who I Am,’ Series (2022, Digital Media), I’ve been deeply moved by the pain, controversy, and discrimination faced by transgender and gay individuals, as well as the profound challenges endured by their parents. Witnessing their struggles is truly heart-wrenching. As a child, I yearned for the freedom to be myself, and I can only imagine the added difficulty of being told that one’s feelings are wrong.
To shed light on this issue, I’ve embarked on a new series of images, harnessing the power of AI to amplify their voices and experiences. These artworks serve as a tribute, a heartfelt homage to all my friends who understand the weight of being misunderstood, as well as a bridge of empathy to those who may not yet grasp the depth of what it means to be different.”
Using: Midjourney, Dalle-2, Daz, 3-D, Cinema 4-D, Adobe Photoshop, Procreate, Giga Pixal AI.
Lovers on Vacation S2″ initially aimed to comment on the environment but took on new meaning in the era of COVID-19. It explores the challenge of sustaining love and normalcy during a pandemic. Each image captures a unique story of love and travel, set against a backdrop of protective gear.
This marks the project’s second iteration, combining ’90s canvas backgrounds filled with paint and doodles with 3-D models as foregrounds. This fusion has given rise to a captivating new body of work MORE
In ‘GEOPEACE,’ I introduce a captivating world of loosely placed geometric shapes set against a radiant backdrop. These minimalistic forms offer viewers a serene refuge from the turbulence of our times, evoking a deep longing for global harmony.
Crafted using Cinema 4D and brought to life through Arnold rendering, this project signifies a significant juncture in my creative journey. It seamlessly merges my extensive professional experience in motion graphics with my passion for other artistic endeavors, resulting in a compelling fusion of art and technology.
“In ‘Dimensions: Windows of the Mind,’ we journey into the fascinating world of theoretical physics, where the exploration of dimensions extends far beyond our familiar three. Einstein’s groundbreaking theory of general relativity introduced the concept of a fourth dimension: time, while string theory takes us to the mind-boggling realm of 16 dimensions. But what about the dimensions that reside within our own minds?
Amid the challenges of the year 2020, a time marked by isolation, we found ourselves compelled to look inward, exploring our inner universes and immediate surroundings. Our view of the world shifted, confined to the windows of our homes, computer screens, and stories that unfolded in our minds like cinematic tales.
From a technical standpoint, my artistic journey has led me through the intricate art of collage within painting over the years. However, in the past year, I’ve embarked on a new path, one that focuses on individual objects and portraiture. This series serves as an homage to collage but offers a fresh perspective. Rather than layering images, I’ve chosen to breathe life into people and a select few objects, granting them the role of windows to their lives, histories, and the intricate worlds that exist within their minds.”
Oil on canvas panels, sizes vary from 30 x 30 to 80 x 100 cm
In ‘Poses with a Gold Leaf Square’ (2020), I present a captivating collection of female nude sketches that exude an organic charm. What initially began as an exercise has blossomed into a unique fusion of form and radiance. Each figure, rendered with an intentional sense of spontaneity in oil on brown paper, is graced by the presence of a single, shimmering square of gold leaf.
This golden embellishment serves as a symbol of ethereal light, perhaps akin to the sun itself, casting a warm, luminous aura upon these intimate portraits. The stark contrast between the muted brown backdrop and the radiant gold invites viewers into a world where the interplay of light and shadow accentuates the timeless allure of the human form.
Measuring 35 x 50 cm, these sketches bring together oil, chack, and paper with a touch of gold leaf.
Holiday at the Grand Canyon 2019 – 2020″ showcases a series of captivating oil paintings (30cm x 40cm) on wooden panels, thoughtfully framed with rustic wooden frames. In these artworks, viewers are transported to a whimsical world where people don space suits while enjoying a holiday at the Grand Canyon, seemingly having a blast.
Originally conceived in late 2019 and completed just before the onset of the Covid-19 pandemic, this series initially embarked on a journey to explore climate change, inspired by the weekly demonstrations advocating for environmental awareness. However, as the world around us transformed, so did the meaning of these works. Today, they take on a new and intriguing significance, inviting viewers to contemplate the evolving dynamics of our world and the unforeseen shifts in our perspectives.
This series of evocative oil paintings (20cm x 20cm) captures the essence of vulnerability and our myriad reactions to fear, an enduring theme that resonates deeply with me. Imagine yourself in a bustling county fair, surrounded by a large and potentially intimidating crowd. These young girls, each portrayed with their unique emotions and expressions, grapple with the uncertainties of life. They depict that palpable sensation when you’ve lost sight of your friends or family in a sea of unfamiliar faces, or when you find yourself waiting anxiously in an unfamiliar place for someone who’s running late.
In exploring this theme, I drew inspiration not only from my own experiences but also from the captivating cinematic world of Jean-Luc Godard and the enigmatic presence of Anna Karina. Just as Godard’s films delve into the complexities of human relationships and existential questions, these paintings invite viewers to peer into the souls of these young girls and reflect on the universal experiences of vulnerability and resilience.
Raincoat on a Sunny Day
2019, Oil on canvas, 140 x 100 cm
Since 1996 I’ve been experimenting with college and exploring the theme of dysfunction. This year I decided to experiment with something new. I wanted to focus on one central image, one central character rather than a group of images. Something more in line with portraiture, I begin here with this image. I don’t know where it will lead me but I feel good about it.
This painting went on to be accepted into the 43rd Annual Spakasse Kunstpreis show in Karlsruhe, Germany.
Hauptbahnhof
2017, oil on canvas, 140 x 100cm
This painting inspired by the Frankfurt “Bahnhofsviertel” or train station quarter. This area is a place for American fast food, fast trains and fast action. The main train station is adjacent to the Red Light District so one gets a feeling all things are available quickly and cheaply. The collage style with clashing elements has been an on-going theme in my paintings and video work revealing a dysfunctional world.
Bistro My Way
2016, Oil on canvas, 140cm x 100cm